I Can't Quit Her
I Can't Keep From Cryin' Sometimes
Somethin' Goin' On
I Love You More Than You'll Ever Know
Autumn Song
This Diamond Ring
I Can't Stand The Rain
Albert's Shuffle
Baby Please Don't Go
Bury My Body
I Let Love Slip Through My Fingers
Season of the Witch
The Earthquake Of Your Love
New York City (You're A Woman)
Bulgarya
I Can't Quit Her
Nuthin' I Wouldn't Do (For A Woman Like You)
I Stand Alone
New York's My Home (Razz-A-Ma-Tazz) aka The Street Song
Flute Thing
Making Plans For Nigel
You Never Know Who Your Friends Are
I Believe to My Soul
I Got a Woman
Went To See The Gypsy
Brand New Day [The Landlord]
Rachmaninoff's Birthday
Love Theme
Hey Jude
Living In My Own Religion
The Big Chase
They Just Don't Make 'Em Like That Anymore
A Drive Through The Old Neighborhood
Most popular songs of Al Kooper
Clean up Woman
1994 • Rekooperation
I Believe to My Soul
2002 • Rare & Well Done: The Greatest And Most Obscure Recordings 1964-2001
Bury My Body
1970 • Kooper Sessions
Jolie
1973 • Naked Songs
I Got a Woman
1969 • You Never Know Who Your Friends Are
Country Road
1970 • Easy Does It
Get Ready
2005 • Black Coffee
This Diamond Ring
1976 • Act Like Nothing's Wrong
One
1968 • I Stand Alone
Lucille
1969 • You Never Know Who Your Friends Are
Hey Jude
2002 • Rare & Well Done: The Greatest And Most Obscure Recordings 1964-2001
Too Busy Thinking About My Baby
1969 • You Never Know Who Your Friends Are
Trivia about the album Rare & Well Done: The Greatest And Most Obscure Recordings 1964-2001 by Al Kooper
- In what year was the album “Rare & Well Done: The Greatest And Most Obscure Recordings 1964-2001” released by Al Kooper?
- The album “Rare & Well Done: The Greatest And Most Obscure Recordings 1964-2001” was released in 2002 by Al Kooper, featuring 33 tracks.
- What is the most successful song from the album “Rare & Well Done: The Greatest And Most Obscure Recordings 1964-2001” by Al Kooper?
- “This Diamond Ring” is the biggest hit from the album “Rare & Well Done: The Greatest And Most Obscure Recordings 1964-2001” by Al Kooper.